Monthly Archive for March, 2008

World Beat Comes Alive At State Theatre

This post originally appeared in the March 31 issue of the Tompkins Weekly.

World Beat is going to come alive at the State Theatre on April 3, when Angelique Kidjo and Samite hit the stage. This promises to be an incredible night of music from two of the preeminent figures in world music—and may well be one of the most compelling shows in the State Theatre’s already great season.

Angelique Kidjo will headline the evening. Born in the West African nation of Benin in 1960, she was performing with her mother’s theater troupe by the age of six. At age 22, due to political conflicts in her homeland, she relocated to Paris and later to New York City. She still resides in New York today. While broadly speaking she is considered an African singer, her influences and music encompass a much broader palette.

Citing influences as wide ranging as Jimi Hendrix, James Brown, George Gershwin, Aretha Franklin, jazz, Caribbean, Latin, and Afropop, Kidjo brings it all together into her own unique musical style. It is at once homage to her influences, at the same time it carries them forward in a new direction. In Addition to her wide range of influences, Angelique Kidjo has performed with the likes of Branford Marsalis, Carlos Santana, Joss Stone, Vernon Reid, Buddy Guy, and Peter Gabriel—to name a few.

She has won a Grammy Award, NAACP Image award, and the Antonio Carlos Jobim Award for an “artist distinguished in the field of world music whose influence on the evolution of jazz and cultural crossover is widely recognized.” If you aren’t familiar with her work, a quick trip to www.kidjo.com or YouTube will provide you with songs and videos to check out.

Beyond her music she has been a UNICEF ambassador since 2002 and founded the Batonga Foundation which works to give African girls the opportunity to attend secondary school and higher education. In addition, she has been outspoken about the need to respond to the genocide in the Darfur.

Also on the bill is Samite Mulondo. Samite, originally from Uganda, now lives in Ithaca. The fact this amazing musician lives in Ithaca is further evidence of what an incredible music scene we are blessed with. Samite sings in his native language of Luganda. He accompanies himself by playing a variety of instruments including the kalimba (finger-piano), marimba (wooden xylophone), litungu (seven-stringed Kenyan instrument) and various flutes; traditional and western.

Like Ms. Kidjo, Samite is also active in humanitarian work. He is the founder of the not-for-profit Musicians for World Harmony, “whose mission is to enable musicians throughout the world to share their music to promote peace, understanding and harmony among peoples, with a special emphasis on the displaced or the distressed who could benefit most from the healing power of music.” To learn more about Samite please visit www.samite.com or www.musiciansforworldharmony.org.

The concert starts at 8 PM and tickets can be purchased at the State Theatre Box office, online at www.stateofithaca.com, or by calling 27-STATE.

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Drive By Truckers, Well, Keep On Truckin’

I know that the new Drive By Truckers record came out in January, but hey, it is hard to keep up with all the new music out there. That said, what does a band do when one of its primary songwriters/vocalists/guitarists not only leaves the band but divorces a member as well? Well, they keep on truckin’ and regroup by sharing the songwriting and vocal duties. And for the most part, this has been a successful approach on their new album, Brighter Than Creation’s Dark. Some of the songs on the album are truly great. For example the album’s opener, “Two Daughters and a Beautiful Wife,” is a very beautiful tune. The only major misstep for me is the song, ”Bob.” It just seems too kitschy and doesn’t fit in with the rest of Brighter Than Creation’s Dark’s themes of love, death, and God. So for the most part the new Drive BY Truckers record is a strong new album amid a lot of change. And it certainly makes me look forward to the next one.

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Review: Kristeen Young–The Orphans


Kristeen Young is a NYC-based independent musician who has self-released five albums by her piano/keyboard and drum duo, KRISTEENYOUNG. The pair is made up of singer, writer, pianist/keyboardist, Kristeen Young and drummer “Baby” Jeff White.

I just got a hold of their disc, The Orphans. This is one of those albums that grabs you right away. There is a definite unique sonic quality to The Orphans that immediately connected me to the music. You can definitely hear the influence of PJ Harvey. Also, it is certainly hard for anyone playing [insert instrument here] and drum duo music, not to be compared to the White Stripes. However, there isn’t anything derivative sounding about them. Like other great bands, they have taken in their influences and released something that is wholly their own sound.

Others who have dug the band’s sound include David Bowie who sang on their first record, BREASTICLES, and Morrissey and Ted Leo and the Pharmacists, who they opened for.

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It’s nothing as it seems . . . the little that you see . . . it’s home . . .

I have written about musical touch points before and today on my bus ride to work I was reminded of another. “Nothing As It Seems,” from Pearl Jam’s album Binaural, came onto my iPod. This, more than so many of my other musical touch points, is truly deeply personal. This is the song I listened to almost daily during the 5 years my wife and I struggled to have our first child. The lyrics are so powerful. And at the time that I was listening to “Nothing As It Seems” regularly, the song helped me bridge the gap between our struggle to have a child and the deep love and connectivity I have always had with my wife. To me, she is the “home” in the song.

And today, we have two amazing, rockin’ kids—a four and a half year old boy and a nine and a half month old girl. This truly is home.

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No More War

It has been five years of total disaster. No More War. Here’s the new video for Eddie Vedder’s song, “No More” from the film Body of War.

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Because I’m still in love with you / On this harvest moon

My wife and I like different music. While I love, for instance, The National, she can’t stand them. Sometimes this can be a bit of a drag—such as when you really want to share your enthusiasm for a band or album that is really meaningful to you at a particular time.

We certainly have our musical touch points. The Sundays’ record Reading, Writing, and Arithmetic was one of the first. We both owned it on cassette when we met. And their subsequent album, Blind, with its stunningly beautiful cover of “Wild Horses” by the Rolling Stones was another.

There are others also. We both love “Redemption Song;” Neil Young’s “Harvest Moon” was our wedding song. She really likes London Calling, which is great as I am a huge Clash fan.

A great thing about having differing tastes in music is that she has hipped me to bands and sounds that I would not have naturally checked out on my own. And she has great taste in music. Much of the excellent world music, Soul, R&B, and rap in our collection is due to her influence. For instance, I likely would not have purchased MIA. But she did, and I am a better music fan for it. I mean, how can you not deeply love a woman that brings Marvin Gaye’s What’s Going On and Stevie Wonder’s Songs In the Key of Life into the relationship. Thanks for the great sounds, Love.

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